On the occasion of the Art Night Celia Hempton will create a site-specific installation in a section of the iconic brutalist building 180 Strand that overlooks the River Thames. The new piece is theatre set-like environment that combines abstracted landscapes and bodies, relating specifically to the source of the River Thames; that considers the river as a historical and metaphorical object – one that is ever changing and amorphous in form and gender.

Celia Hempton, in collaboration with The Magazine Restaurant and Fiorucci Art Trust, presents the fourth in a series of immersive performances and environments for The Magazine Sessions. Tor is a sound performance and meander in to the dark web and its inhabitants, in collaboration with musician Sam Hempton and writers Mary Margaret Rinebold and Thea Smith.

The 10th Gwangju Biennale Burning Down the House explores the process of burning and transformation, a cycle of obliteration and renewal witnessed throughout history. The exhibition is curated by Jessica Morgan. It is open until 9 November 2014.